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Topics tagged under 7 on Jurassic Mainframe Forum_10Topic: The Overall Disney Thread

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Search in: General Film Discussion   Topics tagged under 7 on Jurassic Mainframe EmptySubject: The Overall Disney Thread    Topics tagged under 7 on Jurassic Mainframe Icon_minitimeTue Aug 16, 2016 2:47 pm
Finding Dory Crosses the $900 Million Mark

Quote :

Disney•Pixar’s Finding Dory crossed the $900 million mark globally yesterday, becoming the fourth Walt Disney Studios release to reach the threshold this year. The third-highest grossing Pixar release of all time, Finding Dory has surpassed the original $871 million gross of its 2003 prequel Finding Nemo and is approaching that film’s $936 million lifetime gross.

Finding Dory opened June 17 with $135 million in the US and Canada, the biggest debut ever for an animated film and the #3 opening of 2016 overall. The film is already the #1 domestic release of the year and the #7 domestic release of all time with $476.9 million. Its international gross is $423.5 million with upcoming releases in Italy, Germany, and other territories.

Finding Dory is the 16th Disney release to reach $900 million and joins Captain America: Civil War ($1.15B), Zootopia ($1.02B) and The Jungle Book ($949M) among the studio’s 2016 releases, with the four ranking as the top four industry releases of the year worldwide.

Finding Dory picks up six months after the first movie, with Dory (Ellen DeGeneres) living a quiet life among the clown fishes. After going with Nemo on a class trip to see manta rays migrate back home, her home sickness leads the forgetful Dory on a quest to find where she came from. The film features returning favorites Marlin, Nemo and the Tank Gang. Set in part along the California coastline, the story also welcomes a host of new characters, including a few who will prove to be a very important part of Dory’s life, such as her parents.

Findng Nemo helmer Andrew Stanton (John Carter) returns to the directors chair for the animated film, which features the voices of Ellen DeGeneres, Albert Brooks, Ed O’Neill, Kaitlin Olson, Ty Burrell, Michael Sheen, Eugene Levy and Diane Keaton.
Topics tagged under 7 on Jurassic Mainframe Forum_10Topic: Mystery of the 8(?) Male T. rex maquettes!

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Search in: Film Universe   Topics tagged under 7 on Jurassic Mainframe EmptySubject: Mystery of the 8(?) Male T. rex maquettes!    Topics tagged under 7 on Jurassic Mainframe Icon_minitimeTue Jun 07, 2016 9:35 pm
Quote :
Although the T-rex had been sculpted and molded for the first movie--making the resculpting of the character unnecessary--some additional sculpture work was required to create a male version that would be distinguishable from the female. "Even though the male would have different coloring", explained effects supervisor Shane Mahan, "we were concerned that, under certain lighting conditions it would be very hard to tell the two rexes apart. So, on the computer, I started manipulating photographs of the original T-rex. I did a series of eight different head shapes, all of which were submitted to Steven for approval.

Spielberg approved a male T-rex head that had an added neck wattle, a more prominent brow bone, and a battle scarred face. "There is a lot of science now to support the idea that carnivores like the T-rexes would have been really scarred up," Mahan Said, "with broken arms and legs and teeth knocked out. It makes sense, because they would have been battling each other for food all the time. In this film, the animals were in a more natural, wild , environment, rather than the safe containment of the man-made park, and that wpuld mean scarred bodies. Between the battle scars, the extended brow line, and the neck wattle, the male was a really distinctive animal." ... (Duncan, The Making of The Lost World: Jurassic Park)


...Shane Mahan produced eight male head designs by digitally manipulating photographic images of the original T-rex, then translated the approved concept into three dimensions, sculpting scars, neck wattle, and a pronounced brow ridge directly onto a replica of the original head of the original head for molding and the running of the new skins. John Rosengrant designed the paint scheme for the male T-rex on a maquette and then executed the paint job on the full-size character with some help from Trevor Hensley. ... (Duncan, The Winston Effect)

So, there's the story of the origin to our beloved big, mean, green machine that shredded up a Mercedes and stomped all over San Diego. BUT, I think there's a piece missing to this story, a piece that's hinted at between both stories. Both state that Shane Mahan came up with 8 head designs, and The Winston Effect adds a vital clue where it states that the final approved concept was transferred to 3D. I think that it's quite possible that more than just the approved concept made it to the sculpting table, and that it's very well possible that all 8 had been sculpted in maquette form. I've compiled the 3 maquettes that I know of below listed by potential order of conception.

Maquette #1)
-Description: A sort of beigish green color, no neck wattle, no scars, only has the pronounced brow ridge. Maquette was not approved by Spielberg.

Maquette #2)
-Description: ?
-Image(s): ?

Maquette #3)
-Description: ?
-Image(s): ?

Maquette #4)
-Description: ?
-Image(s): ?

Maquette #5)
-Description: ?
-Image(s): ?

Maquette #6)
-Description: The color scheme is closer to the finalized maquette, yet the wattle is not fully there. The striping pattern is also more broken. The right arm, also may have been broken as indicated by the odd posture.
-Image(s): Partially painted image:

Bronzed #6 Macquette)
-Description: Retooled from the original #6 maquette by Jim Charmatz, the sculpt was changed to an even more dynamic pose from the original, opening the mouth more, and altering the feet a bit. One individual that came from a collector in China had a friend repaint the bronze into more lifelike colors, as seen below in the images section. This particular maquette currently resides in the collection of forum member Jerassic.
Painted Copy-
Images of the original bronze version-
The bronze maquette currently resides in the collection of Mr. John Lanzendorf, a renowned dinosaur art collector living in Chicago, Illinois-

Maquette #7)
-Description: This one is the closest to the final approved maquette. It features all the details of the final maquette with slight differences. The neck wattle is slightly smaller than that of the final maquette, and the colors are slightly more vibrant. This maquette is most easily differentiated from the final by the arms, the left of which having a different posing. This maquette was not approved by Spielberg.

Maquette #8)
-Description: This was the finalized maquette, using a distinctive stone base. The neck wattle on this model is the largest, and being that this was the chosen maquette, it's possible to speculate that Spielberg had been interested in seeing a T. rex with a large wattle under it's neck. This maquette was used on set as well as by ILM, who scanned the model into the computer in order to create the CGI representation of the animal. This maquette was approved by Spielberg and is the closest visual we have of the TLW Buck other than the animatronic pre-repaint for JP///. This maquette is in fact the TLW Male T. rex. In props terms, this would be referred to as the "hero" maquette; the primary maquette used for production purposes, including being recasted for JP///. This maquette was further used in promotional and merchandising material for TLW, JP///, and beyond.

The problem, however, is that this leaves us with possibly five unaccounted for maquettes for the male alone, not counting the female maquette for TLW and the bronze recast(s-?) of maquette 2, 3, 4, or 5. I say possibly, because I discussed this with someone who talked to one of the SWS sculptors who worked on them, and he remembers there only be 2.
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